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A Feast for Crows
George R.R. Martin
Japan at War: An Oral History
Haruko Taya Cook, Theodore F. Cook
Armageddon: A Novel of Berlin
Leon Uris
Falling Free (Vorkosigan Saga, #4)
Lois McMaster Bujold
Century Rain
Alastair Reynolds
The Bounty: The True Story of the Mutiny on the Bounty
Caroline Alexander
Rite of Passage
Alexei Panshin
Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe
Laurence Bergreen
The 900 Days: The Siege of Leningrad
Harrison E. Salisbury
The Forsaken: From The Great Depression To The Gulags: Hope And Betrayal In Stalin's Russia
Tim Tzouliadis
One - Conrad Williams "One" by Conrad Williams has a post-apocalyptic (due to gamma ray bursts) England as its backdrop. It is the story of a father (our protagonist, Richard Jane) who has survived the cataclysm in the opening chapter for being 600 feet deep in the ocean, a diver repairing pipes on an offshore oil platform. The opening chapter is brilliantly written. While I was reading it, I wondered why I haven't heard about this book being one of the best of the decade in the sub-genre alongside "The Road" by Cormac McCarthy, "Oryx & Crake" by Margaret Atwood amongst others. But as I read further, it dawned on me that the reason behind it was that the first few chapters were the only upside of the book.

We follow Richard Jane who is on the quest to find and reunite with his son Stanley, in London, who Richard hoped against hope might have somehow survived the catastrophe. The book is mainly divided into two parts. The second part is 10 years further into the future than the first one and the most unbearable in my opinion. And Richard having frequent hallucinations (more frequently in the second part)about his son doesn't help much. Oh, and there is a tiger, in London, on the streets.

On the upside, the writing is very good although it might cure insomnia because of the lack of plot especially after the first part. And yeah, the book cover looks good too.

2.5 stars.